ARTICLE
20 October 2025

微观世界的生态寓言—— 《The Secret World of Arrietty》中生态乌托邦的构建

嘉旋 王1
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1 香港大学, 中国
HASS 2025 , 1(8), 90–92; https://doi.org/10.61369/HASS.2025080027
© 2025 by the Author(s). Licensee Art and Design, USA. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC BY-NC 4.0) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

在全球生态危机日益加剧的当下,如何重新思考人与自然的关系、构建可持续的生存想象,成为重要议题。作为日本动画界最具生态意识的创作者之一,宫崎骏及其所主导的吉卜力工作室长期致力于通过影像叙事探索人与自然的共生可能。《The Secret World of Arrietty》(2010)延续了这一创作传统,但其独特之处在于,它将视角下沉至一个一个由微型小人族构成的隐秘生态系统。借助对这一微型社会的细致描绘,影片不仅呈现出生态美学上的想象力,更隐含着深刻的生态哲学思考。

Keywords
微观世界
生态寓言
乌托邦
References

[1]Bennett, Jane. “Vibrant matter: A political ecology of things.” Vibrant Matter[M]. Duke University Press, 2010.
[2]Gossin, Pamela.“Animated Nature: Aesthetics, Ethics, and Empathy in Miyazaki Hayao’s Ecophilosophy.”[J].Mechademia: Second Arc, vol. 10, 2015, pp. 209–34.
JSTOR, https://doi.org/10.5749/mech.10.2015.0209. Accessed 2 May 2025.

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